Je prends feu trop souvent
Driven by the dance of Agathe Thévenot and the compositions of Olvo (Nicolas Allard), Je prends feu trop souvent takes us through five tableaux, each one a mirror held up to the intimacy of adolescence. The Faun, a reimagined mythical figure, returns here: more than a tribute to Nijinsky or Debussy, he embodies in this piece the urges, the transformations, the roughness and the brilliance of the changes every human being may experience.
Here, dance is not explained — it is felt. It unfolds like a piece of music heard for the first time: an inner rhythm, inhabited silences, sudden impulses. It invites the audience into a state of total listening — a listening to movement, to matter, to intensity.
Jury mention at the Rencontres Théâtre Jeune Public in Huy (BE) for the remarkable osmosis between music and body
In carefree circles, the performer embodies metamorphoses that are at times brutal and jagged, at times unpredictable, before shifting into darker, sharper passages, and finally blossoming and rising into a radiant femininity.
Catherine Makereel – Le Soir
